
As Ofelia explores the labyrinthine grounds of the estate, she encounters a mysterious faun named Pan, who reveals that she is a long-lost princess from a magical underground kingdom. It garnered praise for its innovative filmmaking techniques, practical effects, and feminist undertones, which challenged traditional gender roles in action cinema. The Phantom falls in love with a young soprano named Christine Dubois, played by Susanna Foster.
Best Visual Effects
The film also explores themes of friendship, loyalty, love, and the fleeting nature of beauty and nostalgia. While “Cleopatra” received mixed reviews upon its initial release, it became a box office success and received nine Academy Award nominations. Their love affair intertwines with the complex politics and power struggles of the Roman Empire, leading to a tragic and dramatic conclusion.
Best Production Designers of All Time
Lamont received his only Oscar win for Titanic; Ford also won 15 years prior for Raiders of the Lost Ark. The prize, along with seven other awards including three short film categories and best score, editing, makeup and hairstyling, and sound, was announced during a preshow created this year in an effort to trim down the main show. The move was widely criticized, with the Set Decorators Society of America even sending an open letter to the Academy back in February. The films that won in this category most recently are “All Quiet on the Western Front” (2023), “Dune” (2022), “Mank” (2021), and “Once Upon a Time in Hollywood” (2020).
Best Costume Design
Cedric Gibbons, William Ferrari, Paul Huldschinsky and Edwin B. Willis were recognized for the set design on the black and white film "Gaslight," while Wiard Ihnen and Thomas Little won an Oscar for the color film "Wilson." “Star Wars” captivated audiences with its groundbreaking visual effects, imaginative world-building, and memorable characters. The film introduced iconic figures such as Darth Vader, Yoda, R2-D2, C-3PO, and the Jedi Knights. “Batman” was a critical and commercial success, and its dark and gothic visual style helped redefine superhero movies. Jack Nicholson’s portrayal of the Joker was particularly praised, as was Michael Keaton’s performance as Batman.
Production design by Christian M. Goldbeck; set decoration by Ernestine Hipper
Seven-time nominees Sarah Greenwood and Katie Spencer could still pull this off with “Barbie,” which could put the “Barbenheimer” craze back into full-force. As for the residential ballroom that was supposedly the setting for the massive party scene inside Wallach’s mansion, the team added their gilded touch to the opulent Spanish Gothic foyer of the Ace Theater in downtown Los Angeles. This involved creating a massive pair of Gothic doors, multiple Gothic furnishings sourced from Belgium, custom tables that were manufactured to withstand the heavy stunt work, and an elaborate floor emblem inlay on tiled parquet floors for a final ode to opulence. “Damien wanted it to feel like the farthest-out design style that would make sense in the desert,” Martin noted. Set designer Paul Sonski drew up a lush paneled bedroom and hallway, anchored by a massive 100-year-old fireplace salvaged locally. Production designer Patrice Vermette and set decorator Zsuzsanna Sipos brought the world of Dune to life through imposing sets that served as a backdrop to Denis Villeneuve's masterpiece.
SHORT FILM (ANIMATED)
It is recognized for its technical achievements, compelling storytelling, and its enduring impact on popular culture. The film depicts her passionate love affair with Ashley Wilkes (played by Leslie Howard), who is engaged to her cousin Melanie Hamilton (played by Olivia de Havilland). As the war breaks out, Scarlett’s world is turned upside down, and she faces numerous challenges and tragedies.
Production design by Florencia Martin; set decoration by Anthony Carlino
Oscars 2024: Full list of nominees and winners - New York Post
Oscars 2024: Full list of nominees and winners.
Posted: Sun, 10 Mar 2024 08:00:00 GMT [source]
“20,000 Leagues Under the Sea” is a classic adventure film released in 1954, based on Jules Verne’s novel of the same name. Directed by Richard Fleischer and produced by Walt Disney, the movie tells the story of a thrilling underwater voyage aboard the submarine Nautilus. Its portrayal of the complex relationship between Salieri and Mozart, as well as its exploration of the themes of jealousy and artistic brilliance, continue to captivate audiences and make it a significant entry in cinematic history.
Richard Day and Paul Groesse won the Oscar for Best Set Production in a Black and White film for "Pride and Prejudice," while Vincent Korda won for his work on "The Thief of Bagdad," a color film. “The Grand Budapest Hotel” received widespread acclaim from critics and audiences alike. It was nominated for nine Academy Awards, winning four for Best Production Design, Best Original Score, Best Costume Design, and Best Makeup and Hairstyling. The narrative unfolds through multiple time periods, revealing the charm, wit, and peculiarities of the characters involved. It captures the political intrigues, opulence, and downfall of an iconic historical figure, showcasing the power struggles and romance of ancient times on an epic scale.

Before designing the trenches, Goldbeck spent a week with the art department doing what he calls earth studies. “These were high-finish, difficult builds and took a huge amount of labor and passion to execute,” says Procter. “We needed soundstages in two cities to accommodate them.” And even in the human world, digital enhancement was necessary to complete these expansive environments for the screen.
This year’s winner will be revealed during the 96th Academy Awards ceremony, airing March 10 on ABC. For Chazelle’s wild wide through Hollywood’s Roaring ’20s, Martin (“Blonde,” “Licorice Pizza”) and the art department highlighted the parallels between the formation of L.A. The team of 150 craftspeople created a world of lavish, jewel-toned fabricated environments set against the hot, barren, and inhospitable desert of early L.A. They scouted throughout Southern California for period-accurate locations and designed sets showcasing the era’s popular revival style architecture — Mission, Gothic, Spanish, and Tudor.
The film captures the grandeur of the ship, the opulence of its passengers, and the subsequent chaos and desperation that occurred during the ship’s demise. The movie combines historical accuracy with a fictionalized love story, creating a powerful and emotional narrative. The film explores themes of artistic genius, mediocrity, and the pursuit of greatness, while delving into the psychological and emotional complexities of both characters.
The film faced numerous production challenges, including cost overruns, extensive rewrites, and the publicized affair between Elizabeth Taylor and Richard Burton, which contributed to its notoriety. Its innovative use of special effects, immersive world-building, and compelling storytelling influenced generations of filmmakers and reshaped the science fiction genre. The film’s success spawned a franchise that expanded into multiple sequels, prequels, spin-offs, animated series, novels, comics, and merchandise, making “Star Wars” a cultural phenomenon. It became a touchstone for generations of fans and left an indelible mark on popular culture. With its combination of romance, music, and visually stunning sequences, “La La Land” has become a modern classic, capturing the spirit of old Hollywood while offering a contemporary perspective on dreams and love in the bustling city of Los Angeles. The movie’s portrayal of Shangri-La as a serene and timeless paradise has had a lasting impact on popular culture.
“Pan’s Labyrinth” is a 2006 dark fantasy film written and directed by Guillermo del Toro. The film is set in Spain in 1944, following the aftermath of the Spanish Civil War and during the early years of Francisco Franco’s dictatorship. The film is set in a desolate future where the world has been ravaged by war and resources are scarce.
Known largely for his work on numerous Wes Anderson films, production designer Adam Stockhausen is very familiar with crafting rich environments. Stockhausen used color purposefully to reflect the differing attitudes represented in the big screen adaptation of this classic musical and worked to ensure even the smallest elements felt truthful to the film’s ’50s setting. It presents a vivid depiction of the American South during a tumultuous period in history and portrays the struggles and transformations of its characters in the face of adversity. I hate having Killers of the Flower Moon so low again, especially since the setting built specifically for this film feels convincing and period-appropriate. Still, Killers of the Flower Moon is a strong nominee perhaps because of how little I can recall the sets; they feel believable and not like structures built for a film. I may feel differently about having this film so low tomorrow or in the near future, but one film has to be last.